Welcome to humanzoos.net – the first online archive on human zoos.
This homepage aims to be a guide for people interested in the phenomenon of human zoos, especially the visual remnants. The core of this archive is the Collection Radauer consisting of over 3000 postcards, photographs, publicity materials, newspaper articles and other items linked to the exhibition of “exotic” people in Europe and the USA.
The Welcome page also includes the “news” section (below)
The Human Zoos page features an introduction on the topic of human zoos (will be extended soon)
The Collection Radauer page allows access to the archive sorted by different categories
The Pierre M. Krause Show did a short documentary about the German colonialism and the lack of this part of history being recognized and processed up until today in Germany. It is called “Deutscher Kolonialismus – wie gehen wir mit diesem Erbe um?” which roughly translates to “German Colonialism – how do we handle this heritage”. It also features a segment about human zoos which features images from the Collection Radauer. Watch it here (only in German).
The German youtube channel “Simplicissimus” did a short documentary on human zoos called “Wie ein Deutscher mit Menschenzoos reich wurde” which translates to “How a German got rich with human zoos”. It featured several images from the Collection Radauer. Watch it here (only in German).
The Arte documentary “Biding their Time – Decolonisation” was aired. This three part documentary tells the history of decolonisation worldwide from the early colonisation to modern day. Six pictures from the Collection Radauer are featured in the first episode. It is available online in French and German with English subtitles until March 3rd 2020.
The article “Vorturnen für die Hamburger” is published in the German newspaper Die Zeit. It tells the story of the German entrepreneur Carl Hagenbeck and which influence he had on human zoos in general and its rise to popularity in Europe. Clemens Radauer helped the author of the article in finding the necessary information.
The exhibition “Der Krieg und die Grammatik – Ton- und Bildspuren aus dem Kolonialarchiv” opened at the MARKK in Hamburg, Germany. The exhibition focusses on how information was collected in the colonial context and features four images from the Collection Radauer. The exhibition is on show until the 23.02.2020.
25. – 27. September 2019
The 2019 edition APELA conference with the main topic “Archives matérielles, traces mémorielles & littératures des Afriques” took place in Aix-en-Provence. One panel focussed on the connection between human zoos and art. The speakers were the Belgian artist Chokri Ben Chikha, French historian Delphine Peiretti-Courtis, French researcher Fanny Robles and Clemens Radauer.
A photo from the Collection Radauer is featured in the book “100 Jahre Moderne in Hessen Von der Reichsgründung bis zur Ölkrise. Ein Architekturführer” in an article about the history of the zoo in Frankfurt/Main.
16. – 18. January 2019
The conference “Staged Otherness, C. 1850-1939 East-Central European Responses and Contexts” took place at the Central European University in Budapest, Hungary. Experts an students presented their research on human zoos and discussed different aspects of the phenomenon in the Central and East-European context.
18. December 2018
The book “Les Tribulations De Tintin Au Congo” is published. It takes a look at the famous Tintin comics from a modern perspective and reflects on the problematics of stereotypical racist images and colonial ideas that are featured in these popular comics. It features an image from the Collection Radauer of the Congolese Village at the 1958 Brussels World Fair.
The exhibition “Zoos humains. L’invention du sauvage” is on show at the Mémorial ACTe in Pointe-à-Pitre, Gouadeloupe, from 29th of June to 30th of December 2018. Curated by the ACHAC in cooperation with the Fondation de Lilian Thuram the exhibition tells the story of human zoos as a global phenomenon. Several items from the Collection Radauer were featured in the exhibition and Clemens Radauer was invited to give a talk, a guided tour of the exhibition and several workshops in local schools on racism and stereotypes.
The Arte documentary “Savages – The Story of Human Zoos” (German version – click here for the French version) was aired. This feature film length documentary tells the history of human zoos worldwide by following the fate of six individuals who were part of human zoos. It is available online in French and German with English subtitles until November 28th 2018.
The book “Sexe, race et colonies” is published by the French publishing house La Decouverte. This massive publication focusses on the history of the colonial gaze, how people from colonies were sexualised, which “erotic” images of the colonised were published and which relationships between the colonisers and the colonised happened. Two images from the Collection Radauer were featured.
A brochure for the Charivari 2018 in Villeurbanne featured an article on human zoos which took place in Lyon mostly at Colonial Exhibitions (1894, 1899, 1914) included an image of the Collection Radauer.
An image from the Collection Radauer is featured in the permanent exhibition “Zurückgeschaut” – which translates to “looking back” – at the Museum Treptow in Berlin, Germany. The exhibition focuses on the Colonial Exhibition that was part of the Berliner Gewerbeausstellung in 1896. 104 people from German colonies participated and staged their “traditional life” for the visitors. Their lives before and after the Colonial Exhibition are the main topic of the exhibition.
Two images from the Collection Radauer were featured in a very interesting article on a Cobra that was found in the German countryside in 1911. Since Cobras are not native to Germany the author of the paper, Andre Koch, figures the snake could have got left behind or escaped from a human zoo from India that took place in that area in that year: “Gustav Hagenbeck’s größte Völkerschau der Welt“. Read the article (in German) here.
The Swiss literature magazine Orte – Schweizer Literaturzeitschrift featured an article about Switzerlands role in Colonialism in its March issue. One of the pictures was an original flyer from the Collection Radauer.
The catalan history magazine Sapiens featured an article about human zoos in its September issue. Two of the pictures were original photographs from the Collection Radauer.
The Goethe Institute Addis Abeba used two postcards of the Collection Radauer for an exhibition called “Cultural Research in Northeastern Africa” – about the unusual relationship between Ethiopia and Germany during the past three centuries.
One of the interresting stories featured in the exhibition is that of Muhammad Nur – a scholar from British Somaliland who came to Germany with a human zoo in 1910 and stayed there until 1922 working for different istitutions such as the ‘Kolonialinstitut’ (Institute for Colonial Affairs) and the University of Hamburg.
The Kunsthalle Mannheim is showing an exhibition on Ernst Ludwig Kirchner – one of the founders of the artists group “Die Brücke” – called Der Doppelte Kirchner. The title of the exhibition refers to the often forgotten sketches/paintings on the backside of Kirchner’s works – which is an effect of the recycling of canvases by simply turning them around.
from 06.02.2015 until 31.05.2014
In the 1910s Kirchner visited human zoos and sketched the participants and therefor two postcards of the Collection Radauer are used in the exhibition catalogue for reference.
Les éditions du Crieur Publique did a review on an article on human zoos in the July 2014 edition of P.M. Magazine which focusses on the history of human zoos in Germany. In this article a postcard from the Collection Radauer was used.
A picture of the Collection Radauer is used in an online exhibition of the Hampshire College’s Institute for Curatorial Practice (ICP) called Sometimes a Traveller: Women, Othered Bodies, and the Colonizing Gaze.
» This exhibition understands that the position of being a subject is one of immense power and was historically granted almost only to white men, who then used their privileges to objectify racialized female bodies through othering representation–what we here call the “colonizing gaze.” «